This setting allows an expression pedal to raise or lower the frequency range that the primary
modulation source (Envelope, LFO, or Hot Hand) operates within. It also serves as another
option for allowing an expression pedal to function as a standard wah pedal.
For standard wah pedal functionality, disable the primary modulation signal by setting the Sweep
Range knob to 12 o’clock and set the ‘XD’ parameter to its desired range of positive or negative
modulation. Each filter effect type will function as a locked equalizer shape moving as a unit
according to the input of an expression pedal. As a result, each effect type will only vary in tone.
To line up the full range of the expression pedal with the full range of the Frequency Knob, set the
Frequency Knob to its full counter-clockwise position and set the ‘XD’ parameter to its maximum
positive (+12) position.
6. EXPRESSION PEDAL TO EFFECT SELECTOR
This setting allows an expression pedal to pass through each effect type available on the BEF
Pro. This can be used either as a method for quickly switching between filter effect types or for
generating a sequencer like sound.
The starting point and stopping point of the expression pedals movement can be selected with
the Effect Selector knob and the ‘XD’ parameter respectively.
In this setting, the positions of the ‘XD’ parameter do not correspond to depth but rather to each
individual effect type available on the Effect Selector knob. The 23 available filter effect types are
selectable as the first 23 of the 25 available ‘XD’ positions beginning from the bottom (-12). The
final two positions are redundancies of effect #23.
The expression pedal will sequentially pass through all effect types in a clockwise motion starting
from the Effect Selector knobs selection until it reaches the ending point defined by the ‘XD’
parameter. Depending on the control range, the Effect Selector values may wrap around from
effect #23 to #0 and beyond, and in the opposite direction as well. The LED’s around the Effect
Selector knob do not change as the expression pedal is moved.
The Effect Selector knob can be changed normally after exiting the Back Page parameter and
each filter effect type can still be modulated by the BEF Pro’s primary modulation sources
(Envelope, LFO, Hot Hand) when in this mode.
7. LFO TO EFFECT SELECTOR
This setting is primarily intended to create a continuous sequencer-like sound by allowing the
LFO to control the Effect Selector knob. The Speed Knob controls the rate of the LFO. Each
individual effect can be controlled by the BEF Pro’s primary modulation sources (Envelope, LFO,
or Hot Hand) when in this mode unless deactivated by setting the Sweep Range knob to it’s
neutral 12 o’clock position.
The starting point and stopping point of the LFO’s movement can be selected with the Effect
Selector knob and the ‘XD’ parameter respectively. The LFO shape can be selected with the
back page parameter ‘LS’ (see p. ??).
The square wave setting will switch between only the effect types of the starting and stopping
points.
The sine wave setting will slide back and forth between the starting point and stopping point effect
types. It is important to note that the sine wave shape will double the time spent on the starting
and stopping points resulting in an audible variation in sequencer rate.
(1 pages)
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